A successful weekend for the Dia De Muertos/Big Draw workshops at Fenners. Most of the remaining squares were filled on the final day (2nd Nov) for my 200 Skulls painting workshop. At some point I may produce an interactive version of the image so that individual squares can be enlarged.
Thanks again to all participants and to the Letchworth Garden City Heritage Foundation for supporting the event!
Progress has been made in the creation of ‘200 Skulls’, thank you to all participants, however more help is needed as more squares are to be filled.
The canvas will be available tomorrow, 2nd Nov during the workshops for those interested in continuing the work…
Other Dia de Muertos/Big Draw workshops remaining – see details here.
A reminder that there will be Dia de Muertos/Big Draw workshops happening at Fenners in Letchworth on Saturday 1st and Sunday 2nd November 2014.
Saturday 10.00 – 1.00:
Christine Harrison: mosaic
Abu Jafar: painting
Saturday 1.00 – 4.00:
John Vincent: ‘200 skulls’, large-scale acrylic painting
Sarah Bellisario: spooky mask making
Saturday 4.00 – 7.00:
Debbie Bent: clay tiles for outdoor firing
Sunday 10.00 – 1.00:
Jane Glynn: shadow drawings, using natural materials
Lizzy Lane: 3D wire drawings
Sunday 1.00 – 4.00:
Amanda Bloom: drawing with felt
Helen Mason: still-life drawing with skulls and bones
The workshops are part of the Fire And Fright Festival in Letchworth Garden City, supported by the Letchworth Heritage Foundation.
Here is a link to further details…
As part of the Dia de Muertos/Big Draw at Fenners, join me for a workshop designed to loosen your brush strokes and express your spooky side to create an abstract painting inspired by The Day Of The Dead celebration. This workshop will also be a collaboration as we work together to complete this huge canvas.
This large abstract painting starts with a grid and prints of 200 skulls. Each participant may take a 15x15cm square (or maybe more than one if you really get in to it!) responding to the skull template and reference images as a starting point. The aim of the workshop is achieved by successfully using a limited palette and a restricted means by which to apply paint (no brushes allowed!) – at the same time as responding to other completed squares to help create a painting that works visually across the canvas.
Running at the same time, there will be a workshop by Sarah Bellisario who will be making Day of the Dead skeleton head masks that children can decorate themselves with feathers, collage and other media. Other workshops are happening throughout the weekend (See details below).
Saturday 1st November 1-4pm
Fenners Building Studio Workshop and Project Space
Openshaw Way, Letchworth Garden City, SG6 3EN
Other workshops over the weekend include those by Christine Harrision, Jane Glynn, Lizzy Lane, Abu Jafar, Debbie Bent, Amanda Bloom and Helen Mason – for more details following this link.
I have just completed work on an illustration for the front cover of an album titled ‘Trinity Road’ by Hertfordshire based band ‘All Seeing Eyes’. The illustration is one of the most complex I have created to date. It was painted digitally in Painter (and a little in Photoshop) with over 50 layers! It was developed from the bands concept and incorporates elements such as a power station, TV and viewer, CCTV, rain, a Saturn-like planet, a pyramid, an explosion, a radiation sign and the three roads – all knitted together in to one image. I am also assisting with the layout of the CD inlay for the album which will be released around Halloween.
I have begun to build an illustration portfolio alongside my Fine Art research. I am currently available for further commissions, so if you like what you see and would like to put together a brief, please do get in contact or share this post with someone who has illustration requirements!
Another image created from the Labyrinth sketches see here.
Experimenting further with arrangements – this one utilising photo research material rather than sketches on the titled subject.
For a long time I had an interest in the conduit paintings by Peter Halley. In this new work I have tried to inject some of these structures.
This new painting has been inspired by the visuals and atmosphere of the excellent film ‘Pan’s Labyrinth’ – the story of a young girl who escapes the harsh realities of war, nationalism and fascist rule through fantasy and imaginings.